Playing gay in 1982's Making Love didnt exactly help the careers of Harry Hamlin and Michael Ontkean (?) - a different time I suppose. can you imagine young American actors now being so explicit? (Heath and Jake were never that intimate together in BBM), would today's youngsters like Zac or Taylor rise to the challenege, of course their managers and agents would not let them. It must have been brave for young actors like Wilby and Graves to have played gay so well back then. Very funny, r93! I will have to watch Maurice again now. It was a (an overused word in the case of acting and film) very courageous film in its time. Merchant/Ivory will always have a profound place in my heart because of that movie.
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I saw this movie my freshman year in college at the school library while I was still in the closet and it caused me to come out, leave my school and move across country to another school to find my current husband of fifteen years, utterly changing my life. Anne leans on his shoulder looking wistfully out the window with hope as Clive grimaces at her touch, the music crescendos to an unresolved chord (fantastic Robbins score, by the way) with Clive's faced touched by an unrelenting and unresolved eternal sadness - fade to black. I was just trying out a speech."ĪND, as he is closing the house up, dismisses Wilcox, latching the shutters against the windows he makes it to the final window but can't close it as he sees an image of Maurice urging him on from his youthful Oxford days.
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Anne: "Who were you talking to?" Clive: "No one.
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One of the most heartbreaking final scenes in a movie ever.